Katherine and the Concept of Latent Capacity
November 3, 2025 20:48
This is the fifteenth post in a blog where I am conducting a design study focused on building a conceptual yet physically plausible organ for a Minneapolis church. The study uses pipes from their existing mid-industrial era gallery organ to explore possibilities for a 43-note continuo suited to this specific space. I draw on my familiarity with both the materials available and the space, having served as an organist there for eight years.
Months ago, a student, Katherine, inspired me to return to the Dinkytown church and photograph an organ I hadn’t played in years. Now, she’s done it again. In passing, she mentioned taking piano lessons and recalled that her piano teacher’s cat may have upset her mother.
Wait, Katherine took piano lessons? I did not know that.
My 43-note continuo design architecture recycles old and new organ pipes to evolve tradition, creating an instrument that welcomes a diverse set of musicians, ensures sustainable ownership costs, and provides affordable community access to the pipe organ.
Katherine, or someone with keyboard experience, could play this instrument. The design recognizes and taps into latent musical ability within the community, offering new opportunities for participation through application and innovation.
The 43-note continuo is a musical tool that enables people with musical backgrounds, like Katherine, to participate and contribute. Others with similar experience could also find new opportunities through this instrument.
Posted November 3, 2025 20:48
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Reuse and Recycle: The Story of a 43-Note Build
by Steve Panizza
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